Anne-Marie Heydeck

I love all the heritage surrounding us every day, very old, oldish and new. The spaces we create today will be the heritage of our future generation. We have so much knowledge and vast technologies today, so that we can chose to maintain, repair, abolish or add. Architecture makes suggestions, what these spaces could feel like, where we sleep, work, meet, plant a garden, feed  our pets, and ask rather humble questions. How do we want to live, how much do we really need and what do we leave behind?

Anne-Marie is an architect based in Berlin. She was trained as an architect for 8 years in both, Germany and Japan, at practices such as SANAA Tokyo and Nieto Sobejano Berlin. Currently she is working as project lead on the visitor center Museum Schloss Schönhausen with merz merz, opening up a heritage-protected site to  contemporary public use.

Anne-Marie studied Architecture, Scenography and Fine Arts in Weimar, Berlin and Paris, as well as Japanese and Chinese language in Tokyo and Nanjing. She held a teaching assignment at Bauhaus-Univerisity Weimar, is a collaborating member of Architekturpreis Berlin e.V. , Kizuna Berlin e.V. and network partner at onpa, a curatorial collective based in Tokyo and Berlin.

Contact:

Anne-Marie Heydeck
Architektenkammer Berlin, 19440

Senefelderstr. 26
10437 Berlin, Germany
+49 171 2878137
anne-marie@onpa.de

© 2026
Anne-Marie Heydeck

I love all the heritage surrounding us every day, very old, oldish and new. The spaces we create today will be the heritage of our future generation. We have so much knowledge and vast technologies today, so that we can chose to maintain, repair, abolish or add. Architecture makes suggestions, what these spaces could feel like, where we sleep, work, meet, plant a garden, feed  our pets, and ask rather humble questions. How do we want to live, how much do we really need and what do we leave behind?

Anne-Marie is an architect based in Berlin. She was trained as an architect for 8 years in both, Germany and Japan, at practices such as SANAA Tokyo and Nieto Sobejano Berlin. Currently she is working as project lead on the visitor center Museum Schloss Schönhausen with merz merz, opening up a heritage-protected site to  contemporary public use.

Anne-Marie studied Architecture, Scenography and Fine Arts in Weimar, Berlin and Paris, as well as Japanese and Chinese language in Tokyo and Nanjing. She held a teaching assignment at Bauhaus-Univerisity Weimar, is a collaborating member of Architekturpreis Berlin e.V. , Kizuna Berlin e.V. and network partner at onpa, a curatorial collective based in Tokyo and Berlin.

Contact:

Anne-Marie Heydeck
Architektenkammer Berlin, 19440

Senefelderstr. 26
10437 Berlin, Germany
+49 171 2878137
anne-marie@onpa.de

© 2026
Kibaru

The former brewery complex has been abandoned for several decades due to economic crisis and demographic change. The three former storage houses are traditionally made of wood and clay adding up to a main house and another factory hall to be transformed into semi-public mixed program on site in the near future.

Feasibility Study, Japan 2024
Elisabeth Wild

The Museum of Modern Art in Vienna (mumok) dedicated a retrospective “Fantasiefabrik” to the versatile Austrian-Swiss artist and textile designer Elisabeth Wild. Her life was marked by the turbulence of history, which made her flee to spend decades in Argentina, Switzerland and Guatemala. Until her death in 2020 she lived in a small house in Panajachel surrounded by a jungled garden. The exhibition design made of reusable cardboard contains an abstract of her house on one floor, the other floor containing her diary of 365 collages hanged across a curvy landscape of exhibition walls.

Courtesy: Meyer-Grohbrügge
Exhibition Design at Mumok, Vienna 2022-2024
Teaching Assignment

Chair of Basic and Advanced Studies in Philosophy and Practice of Architecture / Prof. Heike Büttner, Bauhaus-University Weimar
Winter Semester 21 / 22
Bauhaus-University Weimar 2021-22
I Asked You For Shelter

These film stills memories of the Berlin winter in 2019. It is a hommage to the city, its humas, animals and plants.

with Yaching Cheung

Video Work, Berlin 2019
“100 Years”

Nobody has lived in this old twonhouse “machiya” in Kanazawa’s “Higashi-yama chayagai” in 10 years. It looks like a ghost house, but it is one of the very few from the Meiji era 100 years ago. A hint on to the forgotten landscape in the center of Japan. 

Exhibition with Kyoka and Ueno Masaaki (Raster Media) at Unofficial Preview Gallery, Seoul, South Korea.

Exhibition Seoul, 2017